Sonata Arctica - Unia
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Published May 12 2007
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*=Staff's pick
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In Black and White*
Paid In Full
For The Sake Of Revenge
It Won't Fade
Under Your Tree
Caleb*
The Vice
My Dream's But A Drop Of Fuel For A Nightmare
The Harvest*
The Worlds Forgotten, The Words Forbidden
Fly With The Black Swan
Good Enough Is Good Enough
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| Genre |
Power Metal |
Tony Kakko
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Vocals
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| Tracks |
12 |
Jani Liimatainen
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Guitar
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| Runningtime |
59 Min. |
-
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Guitar
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| Label |
Nuclear
Blast |
Marko Paasikoski
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Bass
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| Release |
23 May 2007 |
Tommy Portimo
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Drums
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| Country |
Finland |
Henrik Klingenberg
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Keyboard
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| Similar artists |
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Sonata Arctica started off with a bang when they released
the critically acclaimed debut Ecliptica (1999), which was followed
by the brilliant albums Silence (2001) and Winterheart's Guild (2003),
and later on the less good Reckoning Night (2004). A lot of touring
and media attention especially in Asia, but also in USA and as opening
act for Nightwish in Europe, have made everything pointing steady upwards
ever since. I guess Sonata Arctica thought the time is now just about
perfect to try out new ways and new musical approaches. An honorable
initiative, but unfortunately it does not work that well this time.
The music has taken a slight turn to the darker and more
progressive side, and that has its advantages and disadvantages. The
advantages are that it sounds fresh, mature and interesting. They show
that they clearly have a lot of ideas and are putting a lot of effort
in the arrangements. Which leads us to the negative aspect: they want
too much. It is too complex and too progressive for my likings, and
there are too many things happening along the way, but unfortunatly
not in a good way as is the case with for example the band Wuthering
Heights. Here it does not fit together all that good. As a result of
the newfound progressiveness, the melodies have had to stand back. There
are some gold nuggets to be found on this album, and even a couple of
songs that almost go all the way, but they are few.
As usual when it comes to Sonata Arctica, I think it only works well
when it is uptempo or at least more or less midtempo, which results
in the fact that close to 30% of this album is practically unlistenable.
Sonata Arctica is a very "soft" metalband to begin with and
when they gear down and go slow, it becomes far too sugar sweet and
cheesy. They have in the past made a few good ballads, but the way they
make them today is just too much.
If you are intrigued by reading that they experiment a lot more compared
to before and are taking out the turns quite a bit, you definitely should
check this album out. There are twists and turns, theatrical Queen influences
and even (if you stretch it very far...) System Of A Down reminding
elements, but everything is very much secured in the safe Sonata Arctica
frame. They should definitly be credited for trying this out at this
point of their career, but I just personally like my Sonata Arctica
more straight forward with distinct riffs and a better flow. As a comparision,
I listened to the album Winterheart's Guild once in between listening
to this one, and it is quite a difference in quality. However, if this
is the direction you have been waiting for them to take the past years,
you might be in for a real good treat here.
An extra goldstar goes out to Tony Kakko for brilliant
lyrics, as always.
See
also review of: Reckoning
Night , Winterheart's
Guild , Silence , Don't
Say A Word , Orientation
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Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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